Check Out The Jumbotron Shit Poppin Lyrics By Drake. It is a Brand New English Song of 2022. Its Classy Lyrics Are Written By Drake, F1LTHY, Kevin Gomringer, Tim Gomringer, Sad Pony, Oogie Mane, 40, Klimperboy, DannoProductionz, Dilara, Lil Yachty, Noel Cadastre, Chris Athens, Les “Bates” Bateman, Greg Moffett, Harley Arsenault & Dave Huffman. The Superior Music Of This song has been Produced by F1LTHY, CuBeatz, Oogie Mane, Sad Pony, Lil Yachty, 40, DannoProductionz, Klimperboy & Dilara. Its Official Music Video has been Released On the 4th of November 2022. And Present On The Youtube Channel Drake.
Jumbotron Shit Poppin Lyrics By Drake
(Wake up, F1LTHY)
Yeah
We ain’t even out in Turks, she finna take sand
Ridin’ ’round with F&N, we like to hold hands
(Oogie Mane he killed it) Boat was too sipped out, he ain’t leave the bed
Damn, they dipped a pint of TEC in a Code Red
If I tell this bitch to pull up, she gon’ moped it
My dawg, he don’t smoke on shit, unless it’s unleaded
I don’t back and forth over no net, so just go on and dead it
See me when you see me, if it’s smoke, dawg, you’re unleashy
Thick Moroccan bitch, this my fav’, I’ma go on and beat it
Lookin’ in the mirror, kiss my face, I’m too conceited
Send a girl home, call another, dawg, I’m too slime
She ain’t wanna eat it on her first day, it’s haram
I don’t fuck with drugs, poppin’ X for the first time
That shit kicked in, like a two-time world champ
Booted up, that shit hit up and down, like a skate-ramp
She vapin’ in my room, that shit lit up like a glow-lamp
Who want smoke? Okay, cool, let’s they whole camp
Big shit popper, we the ones to get your shirt damp
Niggas try to take a nigga spot, now it’s too cramped
Up, 8AM, geekin’ hard, I’m a real vamp
These niggas got me fucked up, dawg, I’m too amped
Mmm-mmm, make this bitch lick me like a mail stamp
Mmm-mmm, strapped up, fuck it, I’ma die lit
Too slime, posted at the crib in a snake pit
Every time I tell you how I feel, I don’t fake shit
Brr, brr, brr, brr, brr, brr, brr, brr (Bih)
Brr, brr, brr, brr, brr, brr, okay
Everybody got a stick, we don’t run fades
We ain’t even out in Turks, she finna take sand
Ridin’ ’round with F&N, we like to hold hands
(Oogie Mane he killed it) Boat was too sipped out, he ain’t leave the bed
Damn, they dipped a pint of TEC in a Code Red
If I tell this bitch to pull up, she gon’ moped it
My dawg, he don’t smoke on shit, unless it’s unleaded
I don’t back and forth over no net, so just go on and dead it
See me when you see me, if it’s smoke, dawg, you’re unleashy
Written by: Drake, F1LTHY, Kevin Gomringer, Tim Gomringer, Sad Pony, Oogie Mane, 40, Klimperboy, DannoProductionz, Dilara & Lil Yachty
The Lyrics Meanings:
In the first verse, the speaker expresses their determination and resilience in the face of challenges. They convey that they would never give up or let any hardship shake their love. The line “How could I fear any hurricane?” symbolizes their strength and fearlessness in the face of life’s storms.
The pre-chorus hints at someone asking the speaker about their experiences and what they would do differently if given the chance. It sets the stage for the chorus, where the speaker confidently declares that they would willingly go through it all over again, despite any difficulties.
The chorus reflects the speaker’s deep desire to hold their loved one again, even if only for a minute. It emphasizes their willingness to endure any hardship or pain just to experience that connection once more. The repetition of “Da-ah, darlin’, I would do it again” underscores their unwavering commitment.
The post-chorus continues the sentiment expressed in the chorus, highlighting the speaker’s surprise and gratitude for finding their loved one in any life. It emphasizes the extraordinary nature of their love and the belief that encountering it again would be an incredible blessing.
Moving to the second verse, the speaker reflects on the doubts and uncertainties that were raised about their relationship. Despite these doubts, they assert that their love never knew peace, suggesting that it was always intense and passionate. The verse also alludes to the loss of a part of their loved one, which deeply affected them.
In the outro, the speaker states that they would not change their love story each time, implying that they would never alter the course of their relationship or the experiences they shared. They believe that their love is so powerful and extraordinary that it transcends any heavenly realm. The line “Heaven is not fit to house a love like you and I” suggests that their love is beyond the ordinary and cannot be contained within conventional notions of paradise.
Biography of the singer:
Hozier, whose real name is Andrew Hozier-Byrne, is an Irish singer-songwriter and musician. He was born on March 17, 1990, in Bray, County Wicklow, Ireland. Hozier grew up in a musical household, and his passion for music began at a young age. He started playing guitar when he was 15 and began writing songs soon after.
Hozier attended St. Gerard’s School in Bray and later enrolled in the music program at Trinity College Dublin. While studying music, he continued to develop his songwriting and performance skills. During his time at Trinity, Hozier became involved in the Irish music scene, performing in various local venues and gaining recognition for his soulful voice and heartfelt songwriting.
In 2013, Hozier released his debut single, “Take Me to Church,” which quickly gained attention and acclaim. The song’s powerful lyrics and stirring melody resonated with audiences worldwide, addressing issues such as institutionalized religion and discrimination against the LGBTQ+ community. “Take Me to Church” became a massive hit and catapulted Hozier to international fame.
Following the success of his debut single, Hozier released his self-titled debut album, “Hozier,” in 2014. The album received widespread critical acclaim and achieved commercial success. It featured a mix of blues, rock, and soul influences, showcasing Hozier’s exceptional songwriting skills and distinctive voice. Songs like “Someone New” and “From Eden” further solidified Hozier’s reputation as a talented and introspective musician.
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