Keeping You Around Meaning & Facts By (Singles). You Can Watch This Video On YouTube While The Lyrics Are Written By Joe Joe Langridge-Brown, Conor Mason & Dom Craik. The Music Track Was Released Date :Jun. 23, 2023
[Intro]
Your lips want anyone else
Mine taste like everyone else
Oh, that’s a tragedy
Try not to pity myself
You fall back into yourself
Oh, what a mess we’re in
Explanation of Intro
The speaker sets the tone by acknowledging the complications in their relationship. The reference to lips wanting someone else and tasting like everyone else suggests a lack of uniqueness or intimacy. The use of the word “tragedy” and the plea not to pity oneself foreshadow the challenges to come.
[Verse 1]
Slow down, show me
Tell me how a modern human should be
It’s so easy
You’re so pretty when you lie to me
But how much blame can we take, babe? Oh-oh
When all our friends are so shady
Explanation of Verse 1
The speaker addresses the need to slow down and understand the expectations of a modern human relationship. There’s a recognition of the ease with which lies are told, and despite the pretty facade, there’s an underlying tension.
[Chorus]
Your lips want anyone else
Mine taste like everyone else
Oh, that’s a tragedy
Try not to pity myself
You fall back into yourself
Oh, what a mess we’re in
I’ve got more hope of killin’ war
Or seein’ sound, ah-ah
Than I’ve got of keepin’ you around
Of keepin’ you around, of keepin’ you around
Explanation of chorus
Repetition of the idea that “your lips want anyone else” emphasizes the struggle for exclusivity in the relationship. The comparison of keeping the person around to impossible feats like killing war or seeing sound underscores the perceived difficulty.
[Verse 2]
Dead club, so low
So good, I’m pretendin’ it’s fun though
Headfuck won’t go
So tired of bein’ tired, you know
I wish I could make it easy, oh-oh-oh
I’m still a broken machine, babe
Explanation of Verse 2
The second verse delves deeper into the struggles, with references to a “dead club” and the weariness of pretending everything is fine.
[Chorus]
Your lips want anyone else
Mine taste like everyone else
Oh, that’s a tragedy
Try not to pity myself
You fall back into yourself
Oh, what a mess we’re in
I’ve got more hope of killin’ war
Or seein’ sound, ah-ah
Than I’ve got of keepin’ you around
Of keepin’ you around, of keepin’ you around
Explanation of Chorus
Repetition of the idea that “your lips want anyone else” emphasizes the struggle for exclusivity in the relationship. The comparison of keeping the person around to impossible feats like killing war or seeing sound underscores the perceived difficulty.
[Bridge]
Build somethin’ up just to knock it down
Live a quiet life in a quiet town
Maybe everyone will forget me now
Could we just start over?
Build somethin’ up just to knock it down
Live a quiet life in a quiet town
Maybe everyone will forget me now
Could we just start over?
Explanation of Bridge
The bridge introduces a sense of futility, as the speaker talks about building things up only to knock them down. There’s a longing for a fresh start, a reset, or a chance to be forgotten. This section suggests a weariness with the cycle of building and breaking in the relationship.
[Chorus]
Your lips want anyone else
Mine taste like everyone else
Oh, that’s a tragedy
Try not to pity myself
You fall back into yourself
Oh, what a mess we’re in
I’ve got more hope of killin’ war
Or seein’ sound, ah-ah
Than I’ve got of keepin’ you around
Of keepin’ you around, of keepin’ you around
Explanation of Chorus
The chorus repeats, emphasizing the central themes of longing, dissatisfaction, and the perceived impossibility of keeping the other person around.
OVERALL
The repeated imagery of lips wanting someone else and the impossibility of keeping the person around underscore the theme of unattainability and emotional exhaustion.
