City Haunts Meaning & Facts By (Singles). You Can Watch This Video On YouTube While The Lyrics Are Written By Joe Langridge-Brown, Conor Mason & Dom Craik. The Music Track Was Released Date :Jun. 30, 2023
The lyrics you handed feel to depict a narrative centered around civic life, escapism, and the gritty gests that come with it. Here’s a breakdown of the themes and imagery conveyed in the song:
[Chorus]
City haunts been hauntin’ me
Train tracks keep trackin’ me
Sleazeballs eyeballin’ me for too long
The chorus sets the tone for the song, expressing a sense of being haunted by the city and constantly tracked by the train tracks, while also feeling the unsettling gaze of unsavory characters for too long.
[Verse 1]
Hackney prick asking for a light
Hey, meet me in the bathroom, okay?
Sold a dream, now we’re circlin’ down the drain (Yeah)
It’s your money, guy, or it’s your life
The party’s just run out of space
It’d be a lie if I said that I got this place
In the first verse, the narrator encounters someone from Hackney (a district in London, known for its diverse population and vibrant culture) asking for a light, possibly implying a request for a cigarette light. The mention of meeting in the bathroom suggests clandestine or secretive activities.
[Chorus]
City haunts been hauntin’ me
Train tracks keep trackin’ me
Sleazeballs eyeballin’ me for too long
The chorus sets the tone for the song, expressing a sense of being haunted by the city and constantly tracked by the train tracks, while also feeling the unsettling gaze of unsavory characters for too long.
[Verse 2]
Watch us fade into the night
I’ve got the embassy on the phone
Best believe that you’re so damn good for the soul
And it’s a cruel part of town, honey
One more round and we’re gone
The second verse describes a fading into the night, possibly referencing the ephemeral nature of nightlife experiences. The mention of the embassy on the phone could imply seeking help or assistance from a higher authority, amidst the chaos and uncertainty of the urban environment. Despite the harshness of the surroundings, there’s a recognition of the positive influence of certain individuals (“you’re so damn good for the soul”), juxtaposing the darkness with moments of solace and connection.
[Chorus]
City haunts been hauntin’ me
Train tracks keep trackin’ me
Sleazeballs eyeballin’ me for too long
The chorus sets the tone for the song, expressing a sense of being haunted by the city and constantly tracked by the train tracks, while also feeling the unsettling gaze of unsavory characters for too long.
[Post-Chorus]
Can you do that thing to me? Ah-ha-ha
Sweet song that you sing to me, ah-ha-ha
‘Cause it’s so rare to find a common mind
Around here
Around here
The post-chorus seems to evoke a sense of intimacy and longing, asking for a particular “thing” or action, perhaps symbolic of a desired connection or experience. The reference to a sweet song being sung suggests finding comfort or refuge in music amidst the challenges of city life.
[Chorus]
City haunts been hauntin’ me
Train tracks keep trackin’ me
Sleazeballs eyeballin’ me for too long
The chorus sets the tone for the song, expressing a sense of being haunted by the city and constantly tracked by the train tracks, while also feeling the unsettling gaze of unsavory characters for too long.
[Post-Chorus]
Can you do that thing to me? Ah-ha-ha
Sweet song that you sing to me, ah-ha-ha
‘Cause it’s so rare to find a common mind
Around here
Around here
The post-chorus seems to evoke a sense of intimacy and longing, asking for a particular “thing” or action, perhaps symbolic of a desired connection or experience. The reference to a sweet song being sung suggests finding comfort or refuge in music amidst the challenges of city life.
OVERALL
There is a sense of craving for understanding and authenticity amidst the chaos and query of the cityscape. The imagery and language used elicit a gritty, atmospheric depiction of civic actuality, with its highs and lows, its troubles and its transitory mannas.
