Check Out The Shake Sumn Lyrics By DaBaby. It is a Brand New English Song of 2023. The Classy Shake Sumn Lyrics Are Written By DaBaby. The Superior Music Of This Song has been Produced by DaBaby. Its Official Music Video has been Released On May 5, 2023. And Present On The Youtube Channel DaBaby.
| 📌 Title | Shake Sumn |
| 🎤 Singer(s) | DaBaby |
| 📃 Lyrics | DaBaby |
| 🎵 Music | DaBaby |
| 🏷️ Label | DaBaby |
Shake Sumn Lyrics By DaBaby
(He’s on—, he’s on—, he’s on fire)
Yeah, call the fireman, she a hot girl
Come shake some, bitch
I don’t know how to dance but can lean
And make the ghetto bitches put they hands on they knees (Ah)
I make the ghetto bitches put they hands on they knees (Ah)
I make the ghetto bitches put they hands on they knees (Yeah)
I don’t know how to dance but can lean
And make the ghetto bitches put they hands on they knees (Ah)
I make the ghеtto bitches put they hands on they knees (Yеah)
Make the ghetto bitches put they hands on they knees
Yeah, call the fireman, she a hot girl, put her out
Ooh, I just broke a sweat in this bitch, get a towel
She said, “Nothin’ been happenin’ now, it’s a drought”
I tell her put her ass in the air, dick her down (Ooh)
Go get in timeout, you a baddie (Ooh)
Just sent me a spot with the addy (Ooh)
I get up and pop me a Addy (Uh-huh)
I get up and pop me a Addy (Mm-hmm)
I get up and catch me a flight
The shit took ’bout four hours, went out to Cali (Mhm)
And it don’t matter how much she say it
It still ain’t now way she can make me her daddy
I don’t know how to dance but can lean
And make the ghetto bitches put they hands on they knees (Ah)
I make the ghetto bitches put they hands on they knees (Ah)
I make the ghetto bitches put they hands on they knees (Yeah)
I don’t know how to dance but can lean
And make the ghetto bitches put they hands on they knees (Ah)
I make the ghetto bitches put they hands on they knees (Yeah)
Make the ghetto bitches put they hands on they knees
Come shake some
Come shake some (Shake some)
Come shake some (Shake some, that’s my baby)
Come shake some
(Put her in time out, she a baddie) Come shake some
(Put her in time out, she a baddie) Come shake some
(Put her in time out, she a baddie) Come shake some
I don’t know how to dance but can lean
And make the ghetto bitches put they hands on they knees (Ah)
I make the ghetto bitches put they hands on they knees (Ah)
I make the ghetto bitches put they hands on they knees (Yeah)
I don’t know how to dance but can lean
And make the ghetto bitches put they hands on they knees (Ah)
I make the ghetto bitches put they hands on they knees (Yeah)
Make the ghetto bitches put they hands on they knees
Come shake some
Written by: DaBaby
Video:
The Lyrics Meanings:
In the first verse, the speaker expresses their determination and resilience in the face of challenges. They convey that they would never give up or let any hardship shake their love. The line “How could I fear any hurricane?” symbolizes their strength and fearlessness in the face of life’s storms.
The pre-chorus hints at someone asking the speaker about their experiences and what they would do differently if given the chance. It sets the stage for the chorus, where the speaker confidently declares that they would willingly go through it all over again, despite any difficulties.
The chorus reflects the speaker’s deep desire to hold their loved one again, even if only for a minute. It emphasizes their willingness to endure any hardship or pain just to experience that connection once more. The repetition of “Da-ah, darlin’, I would do it again” underscores their unwavering commitment.
The post-chorus continues the sentiment expressed in the chorus, highlighting the speaker’s surprise and gratitude for finding their loved one in any life. It emphasizes the extraordinary nature of their love and the belief that encountering it again would be an incredible blessing.
Moving to the second verse, the speaker reflects on the doubts and uncertainties that were raised about their relationship. Despite these doubts, they assert that their love never knew peace, suggesting that it was always intense and passionate. The verse also alludes to the loss of a part of their loved one, which deeply affected them.
In the outro, the speaker states that they would not change their love story each time, implying that they would never alter the course of their relationship or the experiences they shared. They believe that their love is so powerful and extraordinary that it transcends any heavenly realm. The line “Heaven is not fit to house a love like you and I” suggests that their love is beyond the ordinary and cannot be contained within conventional notions of paradise.
Biography of the singer:
Hozier, whose real name is Andrew Hozier-Byrne, is an Irish singer-songwriter and musician. He was born on March 17, 1990, in Bray, County Wicklow, Ireland. Hozier grew up in a musical household, and his passion for music began at a young age. He started playing guitar when he was 15 and began writing songs soon after.
Hozier attended St. Gerard’s School in Bray and later enrolled in the music program at Trinity College Dublin. While studying music, he continued to develop his songwriting and performance skills. During his time at Trinity, Hozier became involved in the Irish music scene, performing in various local venues and gaining recognition for his soulful voice and heartfelt songwriting.
In 2013, Hozier released his debut single, “Take Me to Church,” which quickly gained attention and acclaim. The song’s powerful lyrics and stirring melody resonated with audiences worldwide, addressing issues such as institutionalized religion and discrimination against the LGBTQ+ community. “Take Me to Church” became a massive hit and catapulted Hozier to international fame.
Following the success of his debut single, Hozier released his self-titled debut album, “Hozier,” in 2014. The album received widespread critical acclaim and achieved commercial success. It featured a mix of blues, rock, and soul influences, showcasing Hozier’s exceptional songwriting skills and distinctive voice. Songs like “Someone New” and “From Eden” further solidified Hozier’s reputation as a talented and introspective musician.
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